Welcome to the Errata & Addenda pages for Anvils in America!
This special section of the Artisan Ideas website is devoted exclusively to continuing the important work begun by Richard Postman in his landmark reference book, Anvils in America. Its purpose is simple: to preserve, refine, and expand the knowledge in the book — accurately, respectfully, and in a way that serves the entire blacksmithing and tool-collecting community.
What This Page Is
This page is a place where readers can contribute verified updates, corrections, refinements, or additions to the information contained in Anvils in America. Over the years, new historical documents, manufacturer examples, photographs, and serial-number data continue to surface. Some readers also own anvils pictured in the book and can offer clearer or more complete images of those same examples.
Our goal is to collect that new material and make it accessible so that Richard’s work can continue to grow—just as he himself added discoveries and corrections to the original edition through his appendices.
What This Page Is Not
This is not a discussion forum, identification service, or general Q&A site about anvils. Excellent forums already exist for those purposes (e.g., on Reddit, Facebook groups, or traditional blacksmithing boards), and we encourage you to use them.
This page is reserved solely for documented additions, improvements, and verified corrections to the content of the book.
How to Submit an Update
To keep this resource clear and useful for all readers, please follow these guidelines when contributing. All submissions should be sent to:
📧 AnvilsInAmerica@ArtisanIdeas.com
- Reference the exact location in the book
- Chapter
- Section heading
- Subheading (if applicable)
- Page number (optional but helpful)
Example:
Chapter 3 → Peter Wright → Identifying Peter Wright Anvils
- Describe the correction or update clearly
- What new information have you discovered?
- What source supports it?
- How does it differ from what appears in the book?
- Include documentation or evidence (if available)
Because Anvils in America is a reference work used by collectors and historians, it is very helpful—though not always required—to include any supporting material you may have, such as:- a photograph of the anvil or maker’s mark
- a catalog page
- a period advertisement
- a historical document
- serial-number evidence
- or any other single piece of verifiable supporting information
Only one form of evidence is needed. Please don’t hesitate to send something even if you think it’s minor — a single clear photo or a short catalog snippet is often exactly what’s needed. If submitting improved photographs
Please include:
- the chapter where the original image appears,
- the heading/subheading,
- and a brief description of the anvil shown.
High-resolution images are greatly appreciated, especially when they show identifying features more clearly than the original.
Our Gratitude and Acknowledgment
We are deeply grateful for every contribution submitted. Each piece of verified information—no matter how small—helps strengthen the historical record and ensures that Anvils in America continues to grow in accuracy and scope.
All accepted submissions will be credited to the contributor on this Updates page, acknowledging the time, care, and expertise you bring to this shared effort.
To participate, please send your contribution to:
📧AnvilsInAmerica@ArtisanIdeas.com
Corrections and Additions
Book Front Matter (pages i to xvi)
Richard Postman, the author of Anvils in America, passed away in September of 2022. The 2025 printing of his book includes a Dedication Page (xii) with a brief biography of Richard which was written by his children. Those readers who have older printings of the book will not have seen this biography which we believe will be of interest to all readers.
Dedicated to the Memory of Richard A. Postman (1931–2022)
Richard Allen Postman, age 91, passed away at West Woods of Niles Rehabilitation Center in Niles, Michigan on Tuesday, September 6, 2022. He was born on June 25, 1931, in Washington, D.C. to Harold and Fannie Postman. He was the second of three boys—Bryan Theodore, the oldest and Daniel Wayne, the youngest, both deceased. Richard grew up and attended school in southern Maryland. After high school, he joined the Air Force at 17 with his mother’s permission. ln 1950 he was sent to Clark AFB in the Philippines and was assigned to the 24th Motor Vehicle Squad. After Richard’s service in the Air Force, he attended the University of Maryland where he studied Agriculture and later became the Game Warden for St. Mary’s County, Maryland. Richard became employed at the Hass Instrument Company, where highly accurate barometers were built to meet the high specifications of the Bureau of Standards and used as the template for all barometers. He worked as an employee then was promoted to foreman. While there, he met the owner’s (Edward Hass) sister, Katherine Hass Keith and married her on November 11, 1960. Katherine brought a special gift into their marriage—four children from her deceased husband, George Keith. They were William “Bill” (14), Betty (13), Barbara (11) and Beverly (9). To say his bachelor life had quickly changed would be an understatement! Richard built a home for them in Nanjemoy, Maryland, where the family lived several years before buying a farm and moving to Krakow, Wisconsin. Richard’s goal to continue his education became a reality when he moved to Berrien Springs, Michigan to attend Andrews University. While there, he received his BS Degree in 1973 and his Master’s Degree in 1978. Shortly after receiving his BS Degree, he was hired by Adelphian Academy in Holly, Michigan to teach industrial Arts. A few years later, Richard returned to Andrews University as a faculty member and taught industrial Arts and Agriculture. After retiring, Richard was known as “The Anvil Man” and gave blacksmithing demonstrations for several years at the Bennett Forge Blacksmith Wood Shop located behind the Berrien County Courthouse in Berrien Springs. He authored two books on Anvils, Anvils in America and Mousehole Forge. Richard will be remembered for his love of family, friends, teaching and, of course, anything to do with anvils!
Richard’s Children
Bill, Betty, Barbara & Beverly
Chapter 5 — American Wrought Anvils
Section: American
Pages: 252–253
(The following updates and corrections to the pages listed above are courtesy of Philip Waters, watersironworks.com, YouTube channel: @WatersIronworks)
American Wrought Anvil Co. / Dunn & Murcott / T. Williams & Co.
- 1890-1892 – John Murcott founds the American Wrought Anvil Company – At 12 & 14 Richardson Street though some office work seems to have taken place at 300 Union ave.
- Several anvils stamped with both American and T. Williams (almost certainly Thomas Williams) were produced at the 12 Richardson Street address, also stamped into the anvil. John Murcott hired a number of anvil makers who had worked for Peter Wright in England, likely, including Thomas Williams to start his anvil business. T. Williams also worked at Hay Budden and eventually Columbus Forge and Ironworks.
- 1890 – In October the McKinley Tariff act passes including tariffs on anvils.
- 1892 – A Brooklyn newspaper praises the company’s rapid growth:
- 2/3s of the men are Englishmen direct from the Peter Wright anvil shops at Dudley, England.
- Domestic anvil production begins and sells for ~12¢/lb.
- Workers earn between $2.75 and $6/day.
- Major importers like Dodge, Haley & Co. start to resell American Wrought Anvils.
- 1899 – An inspectors report lists Dunn & Murcott showing 11 adult male workers, with no minors or females, working a 59 hour schedule.
- 1912 – Final date of anvil manufactory still being listed in Brooklyn directories.
Chapter 7 — Anvil Odds and Ends, and Trivia
Section: Anvil Stories
Pages: 431-439
(The following anvil story was contributed by blacksmith/knifemaker Paul White, author of the book Forged: Making a Knife with Traditional Blacksmith Skills. This story was told to Paul, when he was a young man, by his mentor, blacksmith Gus Marie. Two photos of the anvil follow the story.)
THE STORY OF THE WAR ANVIL
This is the story as told by Gus Marie one Summer day sitting on his
front porch:
Paul, I’m a blacksmith. My father and my grandfather and great grandfathers
were smiths. We Maries were smiths all the way back to when we came over
to the U.S. from France before the revolution. They were like the Pilgrims
coming here to escape (I assumed it was the American and not the French
Revolution and I assumed Huguenots). My kin used to live in the East, New
York, Boston and Washington D. C.—all over back there. I think a couple
other places too. They moved to Illinois, St. Genève, then to Murphysboro
when it used to be Brownsville sometime in the early 1800’s. I don’t know
exactly when they came. Nobody kept records like that. My grandmother and
father told me these things. But I know all my relatives were smiths in the
East. We were smiths, father to son all the way from France, all the way to
me. My kin shod the horses and made wagons and the like for folks around
Washington and New York, someplace, I think, you know—back in the old
days. I do know my great-grandfather shod the horses of Horace Greely, the
“Go West young man” guy. Shake the hand of the man whose great-
grandfather shod the horses of Horace Greely… ha. (As Gus put out his big
hand to shake mine).
The story is that my relative, a smith, had joined the army, the Colonial Army,
not as a smith but as a solider. He went off to fight the British. One day the
son of a smith, next day a solider…ha! As the story goes there was this
British Calvary outfit that was overrun by the boys in his company and they
captured the whole damn shebang. They captured the troops, their horses,
gear, guns, equipment, everything… and the smith and farrier tools that went
with the unit, and of course my anvil.
Every cavalry unit back then, ours and theirs, had its own traveling smith and
he had his own traveling smith shop with all the gear to care for their horses,
tools, camp gear, and to repair equipment, fix guns, wagons and the like. Well
the shop with the anvil, tools and all the gear went straight away to make a
brand-new American Calvary unit. From red to blue…ha. Well, that young
smith, my kin, volunteered and he went from solider to the unit’s smith. One
day a solider the next day a smith…ha! I think they must have asked “Do we
have a smith in the ranks?” (as Gus raised his arm and waved as to motion
for any volunteers out in the side yard to step-up.)
As the war went along the British tried several times to recapture my anvil
and the shop but they never did. He kept that anvil away from them, the
British. After the war the army gave him that anvil and all the smith gear and
back he went to being a smith. By-and-by my kin moved to New York then on
to the West, then to St. Genève, then to the farm.
That is the story of the captured anvil out there in the shed, as he gestured
toward the blue shed. As a boy I remember my father and I used it from time
to time. My father taught me to make tools and knives on that anvil. I used it
for some on my first big projects. I got paid good money from work I done on
that anvil. When I was small all my friends and I would make knives on it or
beat on it just for fun. That must be how it got so worn down and beat-up. It’s
just always been around the shop with the other tools and other things like my
bible or my silverware there in the house.
I asked Gus what he was going to do with the anvil. He paused, then
responded.
I thought about that over the years Paul. What to do with my shop, other
earthly things, my tools, my bible, the farm, my anvils, when my time came.
The auction will take it all away. Lots of my stuff came from auctions. I’m glad
to sell some to you. I thought I would pass it on to another smith in the family,
like always, but I have no one to pass it to…ha (quietly).
Gus had no sons or daughters, no great grandchildren as smiths-to-be. I think
he had a distant cousin someplace but he didn’t appear to count her in the
anvil inheritance chain. We sat that day for a spell, me on a woodworking
work bench and him on a homemade tractor seat stool. By-and-by I said,
“Gus, I would be honored to purchase your anvil and keep it safe. I will also
keep your Colonial story and the Marie name alive” …. I said… He said,
Paul, thanks but no… you can’t buy my anvil…others have wanted to buy it or
have me give it to them for scrap during the war (WWII) or whenever but I
never did, (long pause) … but I will give it to you…I will if you promise to keep
it safe and out of the scrap yard, me to you, smith-to-smith, one day you to
your son or another smith. (I paused…. I said I could do that. We shook on
the deal).
We sat on his porch, drank iced tea and talked about smithing, life-and-death
and the “old days” and then I left. I had the intention of more time with Gus
after the pending farm auction and journey to the nursing home. However,
times and tides, circumstances and complications, people, events and
unexpected tremors in the force happen that do change all our lives and in
totally unexpected ways—they did mine. That Saturday afternoon visit to the
Marie farm was the last time I was to see Mr. Gus Marie. Other decisions took
me in unexpected directions many miles from Brownsville and Gus.
I have thought about Gus often over the years. I have never forgotten him nor
our short friendship or my promise. The Marie anvil has occupied a place of
honor in my shop. I have never cleaned it, or otherwise removed the dirt, rust
and grime of coal smoke from generations of use. I have kept it out of the
scrap-yard and away from the British. It would easily be recognized by Gus or
any of the Marie clan would they happen by.
From time to time I forge a work knife on Gus’ anvil and that connects me to
my friend.